I don’t usually do these types of posts because I fear that they are too self-indulgent but I haven’t posted a writing update in ages so I don’t feel too irked putting this up. The older I get, the better I feel about both rejections and acceptances for publication. I remember being fretful and dreading clicking the “Submit” button because back then everything felt like a critique not just of the work but of myself but those are things you learn from and it’s become something I’ve found I can love. I remember a beautiful rejection letter by The Atlas Review from last year that I still keep in my Inbox as if to say get your work out there, it’s worth it. (And it usually is, whatever the outcome.) That said, it does feel extra good for work to be accepted–as though I’ve found a place for my babies, like they’ve gotten into college or found a job.
I’m also very interested in the time between which stories are written and when they are made available for consumption: it is usually so long for seemingly so little, but it’s a short time to hold your breath in the long run. Anything is shorter that forever, which is also never. Here are some stories of mine I hope you guys will enjoy. 🙂
- Science Lessons (TAYO Literary Magazine)
This is a series of three short stories all having to do with the scientific method of investigation. They were written during my chemistry classes which I both loved for their lack of structure (so many rules, so many exceptions, so many things to consider) and hated for their tediousness (so many rules, exceptions, things to consider). The story that’s available online is called Nomenclature (the study of naming things); in chemistry, we give names to things based on structure, how they are arranged, predisposed. In real life, it often seems to be the opposite: we behave according to our names, roles, circumstances.
- Sunning A Mattress (Southern Pacific Review)|
Around this time last year, I had friendship on the mind a lot. I’d gone to the beach twice that summer: once with old friends and again with people I didn’t know very well. I was thinking about the process of asking friends to come along, who was chosen, who wasn’t, who was allowed to drop in last minute, who wasn’t. I thought of preparing, of the guilt that follows telling someone where you have been, of tip-toeing around why they weren’t there. After this got published in the Southern Pacific Review, it was released as part of The Elements, a chapbook project I did with my friend Liana Maris which focused on friendship as a force of nature and how it is a living thing: changing as we age, evolving even as it is being defined.
- Jim, Adam, I (Alphabet Soup)
This series of five stories began as part of a project called The Experiment that I was part of in late 2014; I collaborated with Arabella Paner (collage artist) and Stephanie Gonzaga (poet) and we put out a chapbook every week where we created output based on a singular word or theme. We were interested in execution, in form, in fragments, in elongation and cutting. I thought scissors, halves, twos. Submitting to Alphabet Soup was spur-of-the-moment decision; I hadn’t thought of giving my twins out (you’ll understand when you read the stories haha) to anyone yet, but when Katie put up the call and talked about writing stories that were out there, that dealt with the anyhow, the anywhere, the anywhen, I figured why not.